Christian Metz is remembered today as having almost single-handedly transformed the culture of film studies. This widely held view was summarized by one commentator, who wrote that “with Metz a new research paradigm is born, as well as a new generation of scholars.
Publications
LE GROUPE DE RECHERCHE SUR L'HISTOIRE ET L'ÉPISTÉMOLOGIE DES ÉTUDES SUR L'IMAGE EN MOUVEMENT A POUR OBJET L'ÉVOLUTION DES SAVOIRS SUR LE CINÉMA ET L'IMAGE ANIMÉE DANS LE CONTEXTE UNIVERSITAIRE ET AU-DELÀ
Article des membres
Auteur(s):
Lefebvre, Martin, Chateau, Dominique
Article des membres
Auteur(s):
Lefebvre, Martin
Forthcoming in: Technē/Technology. Researching Cinema and Media Technologies, Their Development, Use and Impact, (Annie van den OEver, Ed.) Amsterdam: Amsterdam University Press, 2013
French film theorist and critic, Christian Metz (1931-‐1993) is well-‐known for his “apparatus” theory, which he developed in the 1970s.
Article des membres
Auteur(s):
Cowan, Michael
Examining Walter Ruttmann’s early animated advertisements in relation both to his Opus films and to contemporary advertising psychology, this article argues that advertising, far from representing a marginal phenomenon or a compromise of artistic integrity, was central to Ruttmann’s professional identity as an avant-garde filmmaker.
Publication de livre
Auteur(s):
Lefebvre, Martin
Il n'est peut-être pas de meilleure facon de décrire l'ensemble de l'œuvre de Francois Truffaut que de la considérer comme une immense galerie des glaces.
Publication de livre
Auteur(s):
Furuhata, Yuriko
During the 1960s and early 1970s, Japanese avant-garde filmmakers intensely explored the shifting role of the image in political activism and media events. Known as the "season of politics," the era was filled with widely covered dramatic events from hijackings and hostage crises to student protests. This season of politics was, Yuriko Furuhata argues, the season of image politics.
Article des membres
Auteur(s):
Lefebvre, Martin
In 1963 and 1965 Jean Mitry published two massive tomes that, according to Christian Metz who reviewed them, bookended the period sometimes known as ‘classical film theory.’ Just slightly under 1000 pages long, printed in a large format, the two books are colossal in both size and scope.There is a common underlying thread that joins together aspects of Esthét
Article des membres
Auteur(s):
Lefebvre, Martin
In the light of recent debates in film studies over the nature of film theory and the kinds of knowledge it produces, this paper examines some of the epistemological issues currently being raised by film scholars.
Articles d’intérêt
Auteur(s):
Lire le compte rendu de la conférence Impact des Innovations Technologiques par Daniel Fairfax publié dans Cinema Journal.