Biblio
Exporter 398 resultats:
« Readjusting the Agenda: Reply to Jan Olsson », Screen, vol. 39, p. 91-92, 1998.
, « Reply to David Bordwell », Cinema Journal, p. 90-92, 1998.
, « A Response to Peter Lehman's Essay 'Pluralism Versus the Correct Position' », Cinema Journal, p. 92-95, 1998.
, « Theorizing Historicity, or the Many Meanings of Blacula », Screen, vol. 39, p. 1-21, 1998.
, « The Video Revolution is a Threat to Classes in Film Studies », The Chronicle of Higher Education, vol. 44, 1998.
, The Aesthetics and Psychology of the Cinema. Bloomington: Indiana University Press, 1997, p. 403.
, « Cinema, Discourse, and Event », Journal of the University Film & Video Association, vol. 32, p. 79-84, 1997.
, « Cinema Studies in the Age of Global Media, University of Chicago, 13 April 1996 », Screen, vol. 38, p. 195-199, 1997.
, « On Dangerous Ground: Film Studies in Australia », Screen, vol. 38, p. 76-81, 1997.
, « Film and English/American Studies: What are We Doing in an English Department? », Critical Quarterly, p. 42-50, 1997.
, Film School Confidential : The Insider's Guide to Film Schools, 1stᵉʳ éd. New York: Berkeley Publishing Group, 1997, p. 260.
, « Film Studies in Post-War Poland: Tradition and Innovation », Canadian Slavonic Papers, vol. 39, p. 123-137, 1997.
, « Film Studies in South Africa », Screen, vol. 38, p. 190-191, 1997.
, « Film Studies on the Internet », Choice, p. 56-58, 1997.
, « Film Theory and Philosophy », p. 474, 1997.
, « Film Theory Meets Analytic Philosophy; or, Film Studies and l'Affaire Sokal », Institute for Cognitive Studies in Film and Video Electronic Newsletter, vol. 3, 1997.
, « The Film Theory That Never Was », in Film Theory and Philosophy, Oxford: Clarendon Press, 1997, p. 42-59.
, « Films, The Material Ghost », Raritan, p. 106-126, 1997.
, Hermeneutics of Poetic Sense : Critical Studies of Literature, Cinema, and Cultural History. Toronto: University of Toronto Press, 1997, p. 169.
, On the History of Film Style. Cambridge, Mass.: Harvard University Press, 1997.
, Movies and Meaning : An Introduction to Film. Boston: Allyn and Bacon, 1997.
, « Pluralism Versus The Correct Position », Cinema Journal, p. 114-119, 1997.
, , Psycho: de la figure au musée imaginaire: Théorie et pratique de l'acte de spectature. Montreal: Harmattan, 1997, p. 253.
, « Remapping: Another Look at Cinema Studies in Sweden », Screen, vol. 38, p. 191-195, 1997.
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