Biblio

Exporter 398 resultats:
2000
L. Williams et Gledhill, C., Reinventing Film Studies. London; New York: Arnold ;Co-published in the United States of America by Oxford University Press, 2000.
J. Pidduck, « Society for Cinema Studies Conference, University of Chicago, 9-12 March 2000 », Screen, vol. 41, p. 328-330, 2000.
D. Andrew, « The 'Three Ages' of Cinema Studies and the Age to Come », PMLA, vol. 115, p. 341-351, 2000.
M. Yoshimoto, « The University, Disciplines, National Identity: Why is There No Film Studies in Japan? », The South Atlantic Quarterly, vol. 99, p. 697-715, 2000.
A. Durant, « What Future for Interpretive Work in Film and Media Studies? », Screen, vol. 41, p. 7-17, 2000.
1999
W. Benjamin et Tiedemann, R., The Arcades Project. Cambridge, Mass.: Belknap Press of Harvard University Press, 1999.
M. J. Shapiro, Cinematic Political Thought : Narrating Race, Nation, and Gender. New York: New York University Press, 1999, p. 176.
E. Bishop, Cinema-(to)-graphy : Film and Writing in Contemporary Composition Courses. Portsmouth, NH: Boynton/Cook Publishers, 1999, p. 183.
C. MacCabe, The Eloquence of the Vulgar : Language, Cinema, and the Politics of Culture. London: BFI Publishing, 1999.
C. Russell, Experimental Ethnography : The Work of Film in the Age of Video. Durham, N.C.: Duke University Press, 1999.
G. Turner, Film as Social Practice, 4thᵉ éd. New York: Routledge, 1999.
J. Marchessault et Petric, G., « The Film Studies Association of Canada », Post Script, vol. 18, p. 85-86, 1999.
L. Braudy, Cohen, M., et Mast, G., Film Theory and Criticism : Introductory Readings, 5thᵉ éd. New York: Oxford University Press, 1999.
V. Shetley, « Film Theory: Shifting Paradigms and Material Ghosts », College English, vol. 61, p. 475-485, 1999.
J. Nelmes, An Introduction to Film Studies, 2ndᵉ éd. New York: Routledge, 1999, p. 522.
C. Gauthier, La passion du cinéma: cinéphiles, ciné-clubs et salles spécialisées à Paris de 1920 à 1929. Paris: Association française de recherche sur l'histoire du cinéma: École des Chartes, 1999.
B. Augst et OConnor, B., « No Longer a Shot in the Dark: Engineering a Robust Environment for Film Study », Computers and the Humanities, vol. 33, p. 345-363, 1999.
M. Temple, « The Nutty Professor: Teaching Film with Jean-Luc Godard », Screen, vol. 50, p. 323-330, 1999.
B. Cardullo, Practical Film Criticism : An Enlightened Approach to Moviegoing. Lewiston, N.Y.: Edwin Mellen Press, 1999.
F. Casetti, Theories of Cinema, 1945-1995, 1stᵉʳ éd. Austin: University of Texas Press, 1999.
1998
D. Bordwell, « Dialogue: Preaching Pluralism: Pluralism, Truth, and Scholarly Inquiry in Film Studies », Cinema Journal, vol. 37, p. 84-90, 1998.
W. Buckland, Film Studies. Lincolnwood, Ill.: NTC/Contemporary Pub., 1998, p. 162.
G. Perez, The Material Ghost : Films and their Medium. Baltimore: Johns Hopkins University Press, 1998.
E. Leuschner, « Motion Picture Press Kits: A Resource for Film Study », Film & History, vol. 28, p. 50-54, 1998.
J. Hill et Gibson, P. C., « The Oxford Guide to Film Studies », 1998.

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