Biblio

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2014
M. Lefebvre and Chateau, D., “Dance and Fetish”, October, no. 148, pp. 103-132, 2014.
D. Herbert, Videoland: Movie Culture and the American Video Store. Oakland: University of California Press, 2014, p. 336.
M. Cowan, Walter Ruttmann and the Cinema of Multiplicity : Avant-Garde – Advertising – Modernity. Amsterdam: Amsterdam University Press, 2014.
2013
M. Cowan, “Absolute Advertising: Walter Ruttmann and the Weimar Advertising Film”, Cinema Journal, vol. 52, no. 4, pp. 49-56, 2013.
Y. Furuhata, Cinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics. Durham: Duke University Press, 2013.
M. Lefebvre, Truffaut et ses doubles. Paris: Vrin, 2013, p. 152.
2012
M. Steinberg, Anime's Media Mix: Franchising Toys and Characters in Japan. Minneapolis: University of Minnesota Press, 2012.
C. R. Acland, Swift Viewing: The Popular Life of Subliminal Influence. Durham: Duke University Press, 2012.
2011
G. M. Wilson, Seeing Fictions in Film: The Epistemology of Movies. OUP Oxford, 2011.
M. Cowan, Technology's Pulse: Essays on Rhythm in German Modernism. London: Institute of Modern Languages Research, 2011.
2010
F. Albéra and Tortajada, M., Cinema Beyond Film: Media Epistemology in the Modern Era. Amsterdam University Press, 2010.
2009
M. Salazkina, In Excess : sergei Eisenstein's Mexico. Chicago: University of Chicago Press, 2009.
T. Bolas, Screen Education : From film appreciation to media studies. Bristol: Intellect, 2009, p. 384.
2008
R. Zryd, Michael, “The Avant-Garde and the Development of Film Study in America”, in Inventing Film Studies, L. Wasson, Haidee; Grieveson Durham, NC: Duke University Press, 2008.
R. Maule, Beyond Auterism: New Directions In Authorial Film Practices In France, Italy And Spain Since The 1980's. Bristol: Intellect, 2008, p. 294.
R. Maule, Beyond Auteurism: New Directions in Autorial Film Practices in France, Italy, and Spain since the 1980s. Bristol: Intellect Books, 2008.
H. Wasson and Grieveson, L., “Inventing Film Studies”, p. 480, 2008.
M. Renov and Donald, J., The Sage Handbook of Film Studies. London: SAGE Publications ltd, 2008, p. 536.
L. Marcus, The Tenth Muse: Writing about Cinema in the Modernist Period. Cambridge: Oxford University Press, 2008, p. 584.
2007
A. Barlow, The Rise of the Blogosphere. Westport, Conn.: Praeger, 2007.
D. B. Polan, Scenes of Instruction : The Beginnings of the U.S. Study of Film. Berkeley: University of California Press, 2007, p. 406.
D. N. Rodowick, The Virtual Life of Film. Cambridge, Mass.: Harvard University Press, 2007, p. 193.
2006
S. MacDonald, “16mm: Reports of Its Death Are Greatly Exaggerated”, Cinema Journal, vol. 45, pp. 124-130, 2006.
R. Zryd, Michael, “The Academy and the Avant-Garde: A Relationship of Dependance and Resistance”, Cinema Journal, vol. 45, 2006.
J. Auerbach, “American Studies and Film, Blindness and Insight”, American Quarterly, vol. 58, pp. 31-50, 2006.

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